If you know the name “John Hartford,” you are probably a fan. I don’t think I’ve heard anyone say they didn’t enjoy the man’s music, imagination, and wit.

Hartford was a fanatic for traditional fiddling, especially the styles from the western side of Appalachia along the Ohio River and down through Missouri toward the middle parts of the U.S. And for all the research and scrutinous study of traditional fiddling, his fiddle had a voice all its own.

The man played banjo with such soul, sweetness, and tone. Among banjo nerds there are all kinds of ideas about Scruggs style versus Keith style versus Fleck and Trischka. The hard-driving classic bluegrass’s and the funky sweetness of jazz and newgrass pickers. Hartford’s banjo sound had its own voice, almost a granfather’s chuckling narrative.

His singing, his lyrics, his stories, his constant dancing and musicality are all over tons of great records. Get out to Amazon or iTunes or a good used CD shop and pick up a couple things by Hartford if you’re unfamiliar. It’s funky, fun,, acoustic, purely American music that defies genre.

Marcy Cochran and Sheila Nichols are two fabulous filmmakers and fiddlers working on a John Hartford documentary. They have piles of primary source material from family, friends, and legendary musicians such as Glenn Campbell and Earl Scruggs. Check out their Kick Starter campaign here and consider lending your support. And check out the trailer here on Youtube. This is great stuff for your ears and your heart.

 

Most of us guitar pickers have a uke lying around somewhere. The Beatles played ukes, easy to take along when you jump into your car or the back of a cab to go jam. The uke is just kind of easy and fun to play.

Listening to it might be another story. Little tinkling strums on “Five Foot Two” and such is kind of corny. But there are some powerful good ukers out there.

Del Ray is one of those pickers. She has performed a few times in the northern VA area in recent years. She has devoured old Piedmont, country, and delta blues all her life (as she tells it), and she has taken her blues and boogie guitar stuff over to the uke.

Here are two videos from a blues uke workshop she taught in Reston a few days ago. (Unfortunately she isn’t playing her awesome resonator uke in these.)

(Thanks to Julie Mangin for recording these videos, and to Ann Granger and the whole Reston Uke Festival crew for making these workshops happen.)

I also mentioned that Del’s guitar playing is heavily influenced by blues and boogie piano in a .

Nothing like getting to swap brainwaves with other musicians who love to dig deeper into the wells of music.

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