Imagine a bunch of kids in a backyard football game. They play for the pure fun of the game. The game is not a means to an end–just a pleasure in itself. None of them think about the status and wealth that comes to the most gifted athletes. They play because it’s fun to play. The kids abandon all thoughts except the game itself, losing themselves in the moment of the action.

Lose Yourself

How can an artistic personality bring an attitude of abandon to his work?

  • Lose track of time. Set up your schedule so you have some blocks of time to just hang out with your work. Find an afternoon or evening where you don’t have to think about the next thing coming up in an hour. Even better, set up a regular time. “Every Saturday night I stay up late with my sculpture work.”
  • Lose yourself in space. Find a comfortable place where you feel good doing your work. That place might be a typical work area, such as a library or home studio. It might be an unusual place, such as sitting in your car in the park, or on the steps leading up to the attic. Find a place where you can get lost in your work without interruption, even if that means negotiating some spatial boundaries with others in your home.
  • Lose yourself in the work. Produce without worrying about marketability. You can decide which finished pieces you will send out into the public later. First things first–just work and forget everything else. Your imagination has enough material most of the time. It only needs you to struggle through the hard work of choosing, creating, revising, and finishing.

Play games

Give your imagination some freedom, let it run off its leash for a while.

  • A poet who is stuck might try to write the worst poem possible, or she might try writing a love poem to an earthworm.
  • A musician struggling with an intense piece of music could try playing a few lines backward or in a silly rhythm, just for some comic relief.
  • An actor might parody himself, or imitate his cat performing Shakespeare.
  • A novelist could imagine a plot where a large rock is elected prime minister of Canada, and how that would bring about world peace. Or perhaps a story where scientists discover that the number eighty-two doesn’t really exist.
  • An artist could draw cartoons of giant forks and spoons having a dance in the kitchen.

Though these are silly suggestions, there is a serious side to the attitude of abandon. Sometimes the intensity of artistic work makes a soul miserable. Sometimes a creative person holds to tightly to her project. She tries to hard, worries too much about outcomes, and suddenly the joy of the work turns into resentment and harsh self-criticism.

For the artistic personality that feels discouraged or stuck, letting go with the attitude of abandon can help break up the ice around the imagination. What are some things you can do to grow the attitude of abandon in your creative endeavors?

 

The cliched advice for writers is to “murder your darlings.” I won’t get into the origination and historical background of this quote here. You can Google it up for yourself. The principle behind the cliched quote is that if you like a piece of writing, you cannot judge it objectively, and thus you cannot improve it or know when it is ready for public consumption.

I take the opposite approach. I write what I like, and I have to like something for it to feel finished and ready. If I find something I’ve done entertaining or touching, that is one step toward being a solid piece of finished work.

Here’s a blog entry where writer Wendy Palmer agrees with me on this.

I must admit that the cliche is partially valid–you do need to balance your personal feelings with objective evaluation by yourself and by others. For example, Frank herbert used some form of “elfin features” a zillion times in his classic sci-fi novel Dune to describe one of his main characters. When I read this novel for the first time, I giggled every time I saw this pathetic darling phrase show up. herbert needed to murder this lame phrase and find five other ways to describe this characters face. The novel really needed to do without referring to the vague qualities that “elfin” tries to convey.

It’s a good question for any artistic work. Where is your balance between pleasing yourself and creating something with objective quality?

What do you think? Leave a comment to let us know your experiences with your darlings.

 

I just read Joseph Girzone’s 1983 novel Joshua for the first time. The novel tells the story of a mysterious, Jesus-like prophet who appears in a small American town. The plot is simply, what would happen if Jesus showed up today?

I enjoyed the book, with its heart-warming stories and religious confrontations. I’m not a religious person today, but I was in the past, and I can appreciate the clever idea of the book. It’s like backwards historical science fiction for religious people, bringing a figure from the past into a late twentieth-century American town.

In this book Girzone shows that you need one simple idea to create something that touches people, as long as that idea is true and good. When I started reading the book, I thought, “Oh man, how far can this guy stretch this Jesus in America thing?” But he pulls it off.

Apparently Girzone wrote Joshua after retiring from the Catholic priesthood. Now that’s encouraging. You can start a successful writing career in your sixties–at least, if you can find a great hook and a hungry market.

If you’re not interested in religion or God talk, this might not be worth a look. But if you have had religion as part of your life, Joshua will be a quaint and encouraging read.

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